Born 1942 in Cotonou, Benin

George Adéagbo creates site-specific installations that interweave postcards, newspaper clippings, posters, books, clothing, and handwritten material with sculptures and paintings from Benin. In his assemblages – whether in his studio in Benin, in hotel rooms, or as part of exhibitions – Adéagbo combines different pictorial systems, linking things together in an Aby Warburg-like way of making connections. This creates a “poetry of analogies” in the vein of Paul Valéry. In his work created especially for the Hamburger Kunsthalle, Adéagbo combines this homage to Aby Warburg with objects and stories from Benin, and sets ideas on a cross-cultural journey. He also creates a narrative thread linking the history of the museum building with portraits painted in Benin of former Kunsthalle directors, including Alfred Lichtwark and Uwe M. Schneede. Johann Heinrich Füssli’s painting The Avenger (1806/07) from the Kunsthalle collection gains a completely new dimension in the copy painted by Benoît Adanoumè, who produced the work in Benin at Adéagbo’s request, revealing that decolonization and the fight against racism are far from over.” Organized by Dr. Corinne Diserens and Dr. Brigitte Kölle, Research support Dr. Stephan Köhler

Information quoted from the Hamburger Kunsthalle website:
https://www.hamburgerkunsthalle.de/en/exhibitions/georges-adeagbo
May 14th 2024